18 Gentian, 6 Frequently, 19 sepal, 20 distrustful, 21 lose, 22 banners, 23 guinea, 24 morn, 323 alms, 25 tree, 7 feet, 26 bring, 27 morns like, 28 Daisy, 29 loved, 30 adrift, 31 summer, 32 roses, 33 remembering, 4 sea, 34 garlands, 35 rose
The Gentian — Woods are Pink — Flask of Dew — Evening Spires — Gamblers — Pageanty — Guinea Golden — Serene Array — Common Alms — Carmine Suit — The Diver's Farthings — All the Bees — Linnet — Blooming — Philip when Bewildered — Adrift! — Summer for Thee — Take my Flowers — Blithe the Maiden — Land Ho! — Garlands for Queens — Little Rose
J 58, 89, 90, 91, 92,93, 94, 95, 96, 97, 98, 88, 99, 903 (1st stanza), 11, 49, 50, 51, 12, 52, 53, 13, 54, 55
J 134, 135, 136, 137, 138, 83, 139, 140, 141, 142, 143, 85, 144, 81, 145, 146.
J 73, 74, 126, 127, 128, 75, 129, 76, 77, 130, 131, 216 (first two stanzas only, 6 & 5), 78, 132, 133, 79, 80.
Soldier — A Lady Red — Gallanter, I Know — “Mansions” — Debauchee of Dews — Silver Fleece — A Butterfly to Go! — Among the Mountains — Flying Attitude — Summer Days — Spicy Valves — Alabaster Chambers — Wandering Sails — Unaccustomed Wine — Their Pretty Lips — Autumn Afternoon — Swiss Lives
J 59, 148 (Stanza 4 an alternative of Stanza 3), 100, 101, 102, 103, 104, 149, 105, 106, 60, 61, 107, 62, 150, 63, 108, 64, 109, 65
Jacob — “Bronte” — “Comparative Anatomy” — “Morning” — Great Caesar! — I have a King — Pious Guard — Le Verriere — Cobweb Attitudes — The Daisy — Chapeaux of Fire — Papa above! — Little Boat — Apostle is Askew! — Simple Wardrobe — What Gaze! — The Culprit — Some Vision of the World Cashmere — The Forge — April Day
J 165, 152, 166 / 167, 168, 169, 170 / 171, 172, 173, 174 / 175, 153, 176, 177 / 154, 170, 178, 179, 180.
“Fascicle 8's focus on witchcraft—on acts of transformation, necromancy, transport—is literally centered by the eleventh poem's declaration: At last, to be identified! [etc.]” (Heginbotham)
Wounded Deer — Cockade Repose — Freckled Monarch — Laureates — Profound Galaxies — Ebon Box — Portraits — Modest Clay — And yet, as poor as I — Fuzzy Fellow — To be Identified! — Ordnance — Like a Bird — Little Heart's Ease — Wizard Erudite! — Smallest Housewife — Pictures — The Little Barn — If I could bribe them by a Rose — Arctic Flower
J 186, 187, 188, 269, 215, 155, 156, 162, 189, 190, 191, 192, 193, 194, 157, 195, 196, 158, 197, 198, 199, 200, 201, 202, 203, 204, 205, 206, 324.
J 230, 231, 232, 233, 163, 207, 208, 209, 185, 210, 318, 159, 160, 211, 212, 270, 234, 216, 235, 236, 237, 224.
J 283, 284, 285, 243, 244, 286, 223, 288, 245, 240, 317, 246, 221, 247, 248, 249, 250, 251.
Just Revere — Forgetting Amphitrite — Provincially — Like a Tent — Difficult Work — That After Horror — Buy a Smile — I'm Nobody! — Held a Jewel — Moon and Star — At the Knocker — Forever at His side to walk — Cuffs of Chrysolite! — Ecstatic Contract! — Timid as a Bird! — Wild Nights! — I shall keep singing! — Strawberries
J 214, 161, 181, 182, 183, 184, 185 | 273, 274, 275, 276, 321, 514, 353 | 293, 263, 264, 217, 265, 266, 294, 225, 267, 295, 296, 297, 298.
J 253, 254, 255, 256 | 257, 219, 290, 258 | 289, 252, 228, 259, 260, 261, 322, 262, 291, 325, 292.
J 319, 277, 240, 278, 271, 272, 238, 239, 7, 582, 422, 423, 424, 299, 583, 332, 584, 310, (Others?).
J 410, 411, 414, 580, 415, 419, 420, 421, 577, 412, 416, 417, 418, 581, 413, 578, 579.
J 279, 241, 280, 281, 282, 242, 445, 608, 446 | 327, 607.
J 495, 337, 496, 338, 497, 339, 498, 499, 500, 340, 341, 501, 342, 343, 344, 502, 503.
“What is more: reading a poem like ‘After great pain, a formal feeling comes-’ (341) puts me to silence; reading it as number 11 of 17 within Fascicle 18 really tightens my censors, like the saint in the Zurbaran painting who cut out his tongue rather than blaspheme and stands there holding it in ecstatic Spanish gothic goofiness.” (Robert Bray)
J 333, 334, 326 | 425, 585, 426, 427, 428, 429, 430, 431, 432, 433, 586, 587, 588.
J 364, 524, 525, 365, 526, 301, 527, 366, 367, 670, 302, 303, 368, 528, 369, 370.
J 609, 610, / 611, 447, 612, 613, / 448, 614, 449, 450, / 451, 174, 452, 453, / 615, 616, 454.
Heginbotham on Dickinson's Aesthetics in Fascicle 21. “Fascicle 21 traced something like a narrative of the gathering of courage and boldness by the speaker” (Heginbotham)
J 652, 314, 479, 480, 481, 482, 653, 654, 655, 656, 657, 483, 658, 484, 659, 485, 660, 486, 487, 488, 489, 315, 1076.
J 712, 759, 713, 678, 760, 761, 762, 763, 764, 765, 766, 714, 715, 767, 768, 316, 716, 717, 769, 770.
J 443, 597 | 596, 441, 442, 343 | 311, 595, 598, 599, 600, 601, 1712, 443, 606, 444.
J 371, 533, 304, 1053, 372, 373, 305, 374, 375, 683, 534, 376, 535, 536 | 529, 530, 531.
J 561, 562 | 389, 554, 307, 396, 397, 398, 399, 390, 308, 391, 392, 393, 555, 394, 556, 557, 395, 558, 559, 560.
J 564, 402, 565, 335, 566, 567, 568, 403, 569, 404, 405, 406, 570, 571, 572, 407, 573, 574, 309, 408, 575, 409, 576.
J 354, 518, 355, 356, 519, 357, 358, 589, 434, 590, 435, 436, 591, 437, 592, 438, 439, 593, 440, 594.
J 515, 517, 443, 597 | 538, 539, 540, 541 | 542, 543, 379, 544 | 550, 386, 551 | 552, 553, 387, 388.
J 672, 359, 360, 361, 522, 523, 362, 363, 383, 545, 546, 547, 384, 548, 385, 549 | 306, 537, 377, 378 | 380, 381, 382.
J 455, 617, 456, 618, 457, 619, 620, 621, 622, 623, 624, 625, 626, 458, 459, 460, 627, 461, 462, 463, 464.
J 636, 637, 472, 638, 639, 473, 640, 641, 474, 642, 475, 313, 476, 643, 644, 477.
J 645, 646, 647, 648, 478, 649, 650, 651 | 754, 710, 755, 756, 690, 757, 758, 711, 993, 675.
J 692, 693, 694, 733, 734, 695, 668, 735, 736, 680, 696, 697, 698, 699, 1142, 700, 689, 701, 673, 702, 703, 704, 737, 738, 739.
J 982, 788, 269, 789, 790, 720, 259, 721, 671, 722, 723, 724, 791, 725, 726, 792, 727, 665, 666, 793, 728, 729.
J 679, 740, 705, 741, 706, 742, 707, 743, 744, 745, 746, 708, 747, 748, 667, 709, 749, 750, 751, 752, 753.
J 794, 795, 796, 797, 730, 731, 876, 798, 799, 800, 801, 732, 802, 803, 804, 686, 681, 805, 806, 807.
J 827, 961, 962 | 902, 963, 964, 965, 966, 903, 904, 905, 906, 907, 908, 967, 968, 969, 970, 909, 971, 972.